Filters by type
Whether you're a photo novice or a photo pro, a filter is a great addition to your camera to get pictures done that wouldn't be possible without filters. They come in a variety of styles and in some cases make an image either look more vibrant or have a more somber effect. There are inexpensive filters and expensive filters, but it doesn't depend on how much money you invest, but more on the effect you want to achieve with the filter. The filters in both price ranges are nowadays built in such a way that they hardly make the image quality worse. To help you decide which filter is best for you, we have compiled an overview below of which filters are suitable for which purposes:
- Filter diameter 67 mm
- Quality anti-reflective glass provides protection and enhances colors
- Works on a physical basis to effect the reduction of blue in the morning and evening hours
- Suitable for many shooting situations
- Color neutral filter glass
- Blocks disturbing UV components of daylight
- No extension factor
- MRC nano coating
- Made in Germany
- Blocks UV rays and protects the front lens of the Lens from scratches, dust and fingerprints
- Frame thickness: 5 mm
- Color neutral
- Coating: one layer on each side
- Grade (glass): optical glass
- Highly transparent protective glass
- No filter effect, pure front lens protection
- No extension factor
- MRC nano coating
- Made in Germany
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- very thin
- coated several times on both sides
- very high quality glass
- protects the lens from dust and possible damage
- easy to clean
- POLARPRO Shortstache - Everyday
- 1/4 Strength Black Mist
- Everyday (¼ Nebel) - Diffusionsstärke für subtile Lichtreflexe
- 16 Beschichtung - Anti-Scratch - Anti-Reflective - Anti-Fingerprint
- Aluminiumrahmen in dezentem, mattem Grünton
- NiSi Mist Black Diffusion
- Circular effect filter (1/4 aperture)
- reduces glossiness and reduces contrast
- reduces wrinkles and skin blemishes
- creates a soft, pastel-like light quality
- Brass frame
- with an additional layer of black
- provides little loss of detail throughout the image compared to conventional diffusion filters
- Cokin graduated filter gray
- Set consisting of:
- GND2 Filter P121 (-1 f-stop)
- GND4 Filter P121M (-2 f-stops)
- GND8 Filter P121S(-3 f-stops)
- Filter holder suitable for Lenses from 48 - 82 mm (Adapter ring optional)
Bundles with Cokin Grauverlaufsfilter-Set H3H0-25 Gradual ND Kit P
Cokin ND Grad Kit H 250 inkl. Adapter-Ring P E 72
Cokin ND Grad Kit H 250 inkl. Adapter-Ring P E 55
Cokin ND Grad Kit H 250 inkl. Adapter-Ring P E 67
Cokin ND Grad Kit H 250 inkl. Adapter-Ring P E 77
- With the help of this adapter, you can attach your Canon Macro Ring Lite MR-14 EX directly to the EF-L 2.8/100 IS USM Macro Lens.
- Close-up lens of professional quality with first-class optical properties
- suitable for shortening the closest focusing distance of a Lens
- made of two single lenses for reduction of chromatic aberration
- Better image quality than when using ordinary close-up lenses
- with high quality NiSi multilayer coating on the outer surfaces
- the coating minimizes reflections and provides high light transmission
- the coating provides scratch resistance and makes water/dirt repellent
- Precisely manufactured frame with front thread
- Highly transparent protective glass
- No filter effect, pure front lens protection
- No extension factor
- MRC coating
- Made in Germany
- Filter adapter
- 9 pieces
- Metal
- ND round filter with a density of 1.8
- Reduces the amount of light according to the density
- Color neutral
- Ideal for long time exposures, flow effects with moving water, "deserted places", etc.
- Suitable for analog and digital cameras
- MRC nano coating
- Made in Germany
- UV/protective filter
- with chemically reinforced optical glass
- absorbs ultraviolet rays
- 16-layer (double-sided) anti-reflective multi-layer coating
- water and oil repellent, scratch and dirt repellent
- Rollei F:X Round Filter Grey Filter Set
- ND8 / ND64 / ND1000
- ND8 (3 stops / 0.9)
- ND64 (6 stops / 1.8)
- ND1000 (10 stops / 3)
- Visualization of movement through longer exposure times
- Removal of moving objects from the image
- Highlighting the subject by blurring the background
Meaning of the delivery status
Immediately available
The item is in stock and can be shipped at short notice.
The item is also in stock in our shop in Düsseldorf.
At the outside warehouse. Delivery time 4-6 working days after receipt of payment
The item is not in stock in our inhouse warehouse and will be ordered from the external warehouse/manufacturer or disributor after you have placed an order. The expected delivery time is 4-6 working days.
Item has been ordered
The item has already been ordered from the manufacturer or distributor. The delivery time is usually between 1 week and 2 months. As soon as a more precise delivery time is known, we will publish the details on our website. After placing the order, you will be informed regularly about the delivery time.
Available at a specified date
The item has already been ordered from the manufacturer or distributor. We have been informed of the expected delivery date.
This item is ordered exclusively for you
The item is currently not in stock and will be ordered for you from the manufacturer or distributor after you have placed an order. The delivery time is usually between 1 week and 2 months. After placing the order, you will be informed regularly about the delivery time.
Item has been ordered. Delivery time 1-3 months
The item is currently not available. We were not given a delivery time. Experience shows that the expected delivery time is 1-3 months.
Currently not available
The manufacturer or supplier cannot confirm a date, so we assume a waiting time of 2 to 9 months. You can still order the item and secure your place on the waiting list.
Please note: Despite updating our website regularly, it is possible that an item may be out of stock but shown as available for a short time, especially when orders are high. All information is therefore without guarantee. We will inform you immediately if there is a delay in the expected availability/delivery time. The availability information refers to an order quantity of 1. Availability may vary for higher order quantities.
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Notification when the product is back in stock No reservation and no place on the waiting listYou want to reserve the product?
Order now, pay later (prepayment) Notification when the product is back in stock Product reservation and fixed place on the waiting list Cancellable at any time free of charge (until delivery)Protection - and UV filter - Filter to protect the front lens
The question is often asked whether a protective filter is really necessary. Many do without a protective filter because the quality can be downgraded, since the filter serves like a kind of protective glass. The incident light ultimately causes a reflection. In backlit situations, this results in so-called ghosting and flaring. In night shots, the reflection brings unwanted lights into the picture that are not on the subject. However, if a high-quality filter is used, the effect can be minimized and it no longer occurs so strongly.
A UV filter is no longer absolutely necessary, since today's sensors are not sensitive to UV light, unlike the earlier ones. In the worst case, such a filter rather worsens the image quality, because the light is already reduced in front of the sensor. But this is usually only the case with cheaper filters.
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So why would you need a protective or UV filter?
Some photographers who are often exposed to adverse conditions for photography or filming, such as the sea, where the salt content is high, or in the desert, where sand can quickly get into the front lens. Then, most photographers rely on such filters. The filters seal the lens and thus ensure a longer life of the front lenses. A scratched front lens and damage to the coating, can not be replaced as easily and cheaply as a filter.
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Polarizing filters - No desire for reflections?
If you often have to deal with reflections, then polarizing filters are just the thing. They are often used for landscape shots or at the water, because the rising water vapor often reflects the light unwanted.
It can also, all reflections on non-metallic surfaces such as glass surfaces or water filter out. In the photo, it is then easier to see what is behind the subject, since reflections do not appear as usual. Depending on the angle, however, it can not always be prevented, because even the filter in certain situations can not filter out everything and reflections can sometimes even intensify.
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Gray filters - perfect for long exposures
The gray filters manage to reduce the light without sacrificing the light color. If you want to achieve long exposure times even during the day, this is no problem at all with the gray filter, because it manages to achieve a shallower depth of field in bright shooting situations. It also ensures that especially waterfalls, rivers, fog and haze, for example, become motion blur in daylight.
So who are gray filters for?
They are perfect for photographers who take photos during the day. In fact, they are basically used to be able to take long exposures in daylight. It is not necessary in principle, but the filter provides a certain effect that many photographers want.
It is also often used in films, because it can show some situation better and more emotional.
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Close-up lens filters- ideal for getting started with macro photography
Close-up lens filters are ideal for macro photography. The filter is a good alternative for novice photographers who do not want to put on a special macro lens. It magnifies the subject to loupe size and is helpful when you want to get close to objects, as nothing gets blurred at a short distance. It is still possible to get a sharp photo, but deterioration is also possible in some situations.
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Graduated filters - to create an exciting effect
A graduated filter is a good way to compensate for unwanted contrasts. This is because, unlike a gray filter, it is only partially darkened or colored. Contrast differences are a common problem, which is why a graduated filter is perfect for compensating for an annoying contrast. The filter darkens contrasts, giving the finished image a uniform contrast. In landscape photography, for example, the sky is darkened so that the contrast in the images is consistent. The only alternative how to prevent contrast without a graduated filter is to shoot HDR, but this is only possible when shooting video with a tripod.
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Infrared filter- only infrared light comes to the lens
With infrared filters, only infrared light is allowed to pass through the filter. So it is not as many assume that the infrared light is filtered out. They are also called blocking filters because they block the color from hitting the sensor. They can only be used by special cameras that have removed the infrared filter that is on the sensor. Infrared light is often found in nature because plants reflect it strongly. In summer, this creates incredible images, because only all the infrared effects come through the filter, and so the plants are displayed differently. With infrared photography, a whole new era has formed over time, as more and more photographers occasionally work with this effect.
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Conclusion
The filters are quite easy to attach to a lens. They work similarly to the protective cap that is on the front of every lens for protection when you buy a new one. The screw-on filter, as it says in the name, screws onto the front of the lens. When buying a filter, it is important that the diameter of the lens thread matches the diameter of the filter. The size can be easily found in the manual or on the top edge of the lens.